There are more than two ways to look at falseness.
One of my favorite documentary films is The Cruise made in 1998 by Bennett Miller, who went on in 2005 to make Capote.
The Cruise is made perpetually watchable by its perpetually listenable subject: Timothy ‘Speed’ Levitch, who guides Grey Line Bus Tours of Manhattan with a rapidity and a nuance for detail that has to be heard (and seen, of course) to be believed.
Continue reading Two Ways of Looking at Falseness: A Series of Blog Posts in Defense of a Position