A Rhetorical Weapon

Peter Taylor has a story titled “A Wife of Nashville” where on the second page its narrator reveals this about her relationship with what she in the Depression-era South calls “Negroes”: “I don’t care anything about them any more than you do.”

It’s such an amazing thing to say, about anything really. First is the terrible confession/admission. The bit that reveals the speaker to be self-involved and generally awful: I don’t care anything about it/them. Normally I’m not much interested in listening to or being around people who readily admit this—unless what’s not being cared about are the tweeted photos of congressmen or certain TV personalities’ inability to talk extemporaneously to the media without getting a whole mess of things wrong.

I mean, who wants to be such an ignoramus? But then there’s that incredible second part, where the listener becomes indicted and implicated in the general lack of caring that one could see as being the way the world works. It’s like saying: I don’t care any more than you do—and do you really care yourself or do you only care in theory enough to police the equal or greater caring of others?

Think of the ways you could wield this on the self-important!

  • I don’t care about the environment any more than you do.
  • I don’t care about animal welfare any more than you do.
  • I don’t care about taxidermy any more than you do.
  • I don’t care about you any more than you do.

And then how also it sort of retroactively spares the speaker the shame admitted in the utterance’s first part. How it almost uplifts the speaker: I care as much about it as you [claim to] do!

It’s a sentence that starts to identify the speaker as insufferable, which then through forced self-scrutiny ends up identifying her as unimpeachable. It’s like word magic.

Very Good Paragraphs

Here’s a classic one, from Didion’s “On Self Respect”, that I’m finding it important to reread these days:

I had not been elected to Phi Beta Kappa. This failure could scarcely have been more predictable or less ambiguous (I simply did not have the grades), but I was unnerved by it; I had somehow thought myself a kind of academic Raskolnikov, curiously exempt from the cause-effect relationships which hampered others. Although even the humorless nineteen-year-old that I was must have recognized that the situation lacked real tragic stature, the day that I did not make Phi Beta Kappa nonetheless marked the end of something, and innocence may well be the word for it. I lost the conviction that lights would always turn green for me, the pleasant certainty that those rather passive virtues which had won me approval as a child automatically guaranteed me not only Phi Beta Kappa keys but happiness, honor, and the love of a good man; lost a certain touching faith in the totem power of good manners, clean hair, and proved competence on the Stanford-Binet scale. To such doubtful amulets had my self-respect been pinned, and I faced myself that day with the nonplussed apprehension of someone who has come across a vampire and has no crucifix at hand.

A New Prayer for Egotists

I don’t know what it is that I do well,
But whatever it may be,
I know there is a libertarian who does it better than I do.
I know there is a fraternity member who does it better than I do.
I know there is a straight person who does it better than I do.
I know there is a Penn State graduate who does it better than I do.
I know there is a Floridian who does it better than I do.
I know there is a Comcast executive who does it better than I do.
I know there is a Hummer lessee who does it better than I do.
I know there is a Ke$ha fan who does it better than I do.
I know there is an evangelical who does it better than I do.
I do not know these people by their names,
But I know that I am often nothing special.

Loving the Dictionary, Part 2

Looking up “echt” today to see whether or not we’d assimilated it from the German, and thus whether or not I needed to, in my clunky plain text writing window, surround the word with asterisks. Mac’s built-in New Oxford American’s textual examples have been written by some kind of mad poet:

echt |ekt|
adjective
authentic and typical : the film’s opening was an echt pop snob event.

Echt pop snob!

Getting There

You have no incentive to believe me, but as per my recent resolution to work on memorization here’s where I am so far with the Cheever passage. From memory:

We admire decency and we despise death, but even the mountains seem to shift in the space of a night, and perhaps the exhibitionist at the corner of Chestnut and Elm streets is more significant than the lovely woman with a bar of sunlight in her hair, putting a fresh piece of cuttlebone in the nightingale’s cage. Just let me give you one example of chaos and if you disbelieve me look honestly into your own past and see if you can’t find a comparable experience…

I originally misspelled “nightingale” but otherwise: got it. Eighty-five words down, one hundred ninety-six to go.

Oldie/Goodie

Does Ben Marcus, educated at NYU and Brown, employed by Columbia, and published by Anchor, Vintage, and Harper’s, truly believe that he is an excluded experimentalist? Does he honestly believe that Jonathan Franzen, educated at Swarthmore, once employed by Harvard, and published by FSG and Harper’s, is somehow more elitist? Or is Franzen the populist? Or is a populist elitist? Is there really much difference between Marcus and Franzen? This East Coast-East Coast Literary Rap War reminds me of the Far Side cartoon in which a lone penguin, suffering in a crowd of millions of exactly similar penguins, rises and shouts, “I just have to be me!”

Sherman Alexie
Seattle, Wash.

We Are All Poor

Yesterday, over on Facebook, I linked to a couple stories about corruption among the Republicans’ ranks. It was (is) the usual thing: state governor decides to weaken the collective strength that makes union workers work in unions, does this in the name of budget deficits, then gives an $80K+ job to a campaign donor’s son who never finished college; and a CEO starts a nonprofit to raise his company’s profile, giving $35K of its raised funds to organizations in need and $262K to the privileged daughter of a reality TV star slash former GOP VP candidate.

I’ve been calling it robbing from the poor to pay the rich, and I recognize the dangers in the neat abstraction. “The poor” and “the rich” are ideas and not people, even though it’s true in this country that actual people are very very poor while others are very very rich. I’m trying to argue we’re all poor.
Continue reading We Are All Poor

Very Good Paragraphs

From Vollman’s “Homeless in Sacramento” in the March ’11 Harper’s:

I sometimes seek to categorize whatever freedom it is these people have that I do not, a freedom that I also do not want. I don’t know whether they wanted to work and couldn’t, or chose not to work, or needed or expected anything. For their part, the only need most of them expressed to me was this: a place from which nobody would move them. Could it truly be that they had everything else they required? They were healthy, watchful, and at ease with what you or I might consider discomfort. You will quickly see that I am foolish to try to describe them or their surroundings at all, since these changed more rapidly than I with my homebound concerns could follow.

Potential Writers’ Conference Panels, An Unordered List

  • Anything But the Truth: Lies in Nonfiction
  • Tin-Ears & Toss-Offs: Writing with a Disregard for Language
  • The Nonfiction Novel in Verse: Tomorrow’s Genre, Today!
  • Against Self-Expression
  • The Epic Essay
  • Regionalism as Fascism: Writing Against the Tyranny of Place
  • The Grass Castle: Marijuana & Memoir
  • Frisky Business: Writing Lucrative Erotica with Your Cat
  • Mem-wahr or Mem-wah?: Coming to Terms
  • So You Didn’t Get in to Iowa: Next Steps
  • Short Talks: Making Your Public Reading Feel Less Endless
  • Scrambling the Acronym: Queer Writers Queering the “Queer”
  • Guide My Hand: A Poetics of the Masturbation Scene
  • Magical Realism or Magic Irrealism: Must a Distinction Be Made?
  • The “Writers’ Conference”: New Ideas for Bringing Writers in Conversation Together
  • Meow, That Hurt!: Writing Lucrative Abuse Memoirs with Your Cat
  • Plots: Why Are They So Hard to Come Up With?
  • Writing What You Know: Dealing with the Void
  • The End of the Poem: Getting Your Entire Public Reading Audience to Sigh and Nod
  • Tricks of the Trade: Writing Solely for Money
  • Anyone wanna do a thing for AWP in 2012?

A Coming-Out Story

Clockwise from top-left: Justin Aaberg, Asher Brown, Ryan Halligan, Tyler Clementi, Seth Walsh, Billy Lucas, Zach Harrington.

I came out at the age of 25, after three failed relationships with girls, after months of regularly weeping myself to sleep, after seeing my future self in the abysmal drunkard that wrote the journals of John Cheever, after typing up and posting in visible spots in my apartment signs that read, for example, You will never, ever amount to anything real. Not ever. And you will always be unhappy., and after a night when I didn’t so much sleep as stare at the ceiling, feeling my body fall and fall and fall into the mattress. It’s a boring story. I tell it only because today has been designated by the powers that be National Coming-Out Day, and this feels to me to be a more productive way of observing the occasion than donating my Facebook status.
Continue reading A Coming-Out Story

A Quick Note about Wit and Associative Leaps, Or: Learning from Some Friends

A thing’s wittiness or maybe just general humor level is in direct proportion to the distance across which your mind has to jump to make the proper association. I think that jump is from figurative to literal, and I think this all might have an inverse proportion to the amount of time this leap takes, but that might be throwing too many variable around.

Behold:

I am menstruating.: Nothing very witty or funny about this. Direct report.

I having my menses.: Done with that ironic lilt in one’s voice this begins to move toward humor. But it’s not really funny.

I’m having a visit from my Aunt Flo.: A bit overused, but witty, I guess.

Ugh. It’s shark week.: Wonderful! Thanks, Jen and Tina.

S. Ambrose = Plagiarist/Fraud. Who Cares?

In a “Talk of the Town” piece from this week’s New Yorker, Richard Rayner writes that beloved historian Stephen Ambrose essentially lied about the access he was given to President Eisenhower:

Is it possible that Ambrose met with Eisenhower outside office hours? [Son] John Eisenhower [said] that such meetings never happened: “Oh, God, no. Never. Never. Never.” John Eisenhower, who is now eighty-seven, liked Ambrose, and he recalled, too, Ambrose’s fondness for embellishment and his tendency to sacrifice fact to narrative panache.

Ambrose’s lifelong story, Rayner writes, was that his life was changed by the thousands of hours he spent with the president, and it seems that story was a myth. One told by a storyteller. I’m not surprised, nor am I worried about whatever troubles with authenticity I might uncover were I to read his two-volume biography of Eisenhower that Rayner says “is still regarded as the standard.” Here’s Ambrose in his own words, talking to the Times when plagiarism scandals came to light:

“I tell stories,” Mr. Ambrose said. “I don’t discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.”

Maybe it’s just that these days what readers want are dissertations and not stories.

Bratty, Oulipan Idea for a Story/Essay

Construct a story such that each verb can be read in either the present or past tense. You can start with this sentence:

“I set my keys noisily on the countertop and then spread my hands out over the cold surface.”

Past? Present? There are probably like 5 such verbs in the language. Read, put … nothing else comes to mind. Any more?